Public Art - Contemporary Urban Culture - Architecture
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ART & ARCHITECTURE JOURNAL 64. WINTER 2006
 
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Cover Image:The National Memory Grove © & Courtesy Jochen Gerz and Breaking Ground
 
Time & Tide. Simon Patterson / Arup Associates Susan Jenkins
Jochen Gerz: No Flight Zone for Birds! Jeremy Hunt
Jochen Gerz: Creating a Contemporary Monument Gemma Tipton
The Great Artistic Metropolis Jeremy Hunt
Low Loaders & High Expectations Isabel Vasseur
Shaping Great cities Patricia Brown
Art on the Front Line - Sunderland arc Ian Banks
Then & Now B+B
Michael Pinsky: Idea Generation Jeremy Hunt
PROJECT: A Review Anna Minton
Profile: Elmgreen & Dragset Jemima Montagu
Urban Renaissance Richard Rogers
Time & Time Again Angus Brown
Letter from Paris Georgina Turner
Vertiges, Toulouse Terri Whitehead
The Analysis of Beauty Annie Atkins
 
ON Art & Public Space
IN Architecture & Urbanism
COMMISSIONS & PROJECTS
REVIEWS, BOOKS & PUBLICATIONS
NOTES
COMMENT: The £50 Danger Fund - Peter Hames
 
Theme: The Great Artistic Metropolis - a reference to the romantic vision of John Maynard Keynes, first chairman of the Arts Council in 1945 who, "dreamed that cities which were 'half a ruin' might one day be remade as 'the great artistic metropolis'". The Great Artistic Metropolis was also the title of the First National Public Art Conference, in November 2005 organised by the A&AJ and Landor Conferences and concerned with themes relating to Art in the City and the recognition of the place of art and creativity within cultural and environmental regeneration. A&AJ64 continues to develop this theme through the link between creativity, culture and change to affect the built environment, people, communities and philosophies. It presents the issues raised by the conference.
 
Urbanism: Anna Minton review s PROJECT, the A&B / CABE funded scheme to promote a professional role for artists working within regeneration schemes; Isabel Vasseur argues for public art to have a commissioning role within the contemporary public gallery structure; Ian Banks describes how £8million might be spent on art over the next 10 years in A Cultural Revolution in Sunderland. Patricia Brown and B+B use London as the model to illustrate diverging roles for art to participate in urban change.
 
Art: Jochen Gerz revisits the concept of public authorship and the contemporary monument with reference to Ballymun, Dublin; Simon Patterson and Arup Associates' collaboration resulted in Time and Tide, a major work in the City of London; Jemima Montagu profiles Elmgreen & Dragset whose work considers the human condition in public and private environments; Terri Whitehead reports on Vertiges, a contemporary art event around the city of Toulouse; Michael Pinsky describes his multi-media, multi-disciplinary approach to public art projects; Plus Comment by Peter Hames advocating the idea of risk in establishing The £50 Danger Fund as a cultural activity initiative generator.
 
Architecture: Richard Rogers reviews and re-introduces the ideas of the Urban Task Force Report in The Urban Renaissance six years on; Angus Brown proposes the idea of establishing creative/design time within the development time-scale; In Letter from Paris, Georgina Turner describes aspirations to create a city of culture in the French capital.
 
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