| ART
& ARCHITECTURE JOURNAL 64. WINTER 2006 |
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Cover
Image:The National Memory Grove © & Courtesy Jochen Gerz and Breaking Ground
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| Time
& Tide. Simon Patterson / Arup Associates Susan
Jenkins |
| Jochen
Gerz: No Flight Zone for Birds! Jeremy Hunt |
| Jochen
Gerz: Creating a Contemporary Monument Gemma Tipton |
| The
Great Artistic Metropolis Jeremy Hunt |
| Low
Loaders & High Expectations Isabel Vasseur |
| Shaping
Great cities Patricia Brown |
| Art
on the Front Line - Sunderland arc Ian Banks |
| Then
& Now B+B |
| Michael
Pinsky: Idea Generation Jeremy Hunt |
| PROJECT:
A Review Anna Minton |
| Profile:
Elmgreen & Dragset Jemima Montagu |
| Urban
Renaissance Richard Rogers |
| Time
& Time Again Angus Brown |
| Letter
from Paris Georgina Turner |
| Vertiges,
Toulouse Terri Whitehead |
| The
Analysis of Beauty Annie Atkins |
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| ON Art & Public Space |
| IN Architecture & Urbanism |
| COMMISSIONS
& PROJECTS |
| REVIEWS,
BOOKS & PUBLICATIONS |
| NOTES |
| COMMENT:
The £50 Danger Fund - Peter Hames |
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| Theme:
The Great Artistic Metropolis - a reference to the romantic
vision of John Maynard Keynes, first chairman of the Arts Council
in 1945 who, "dreamed that cities which were 'half a ruin' might
one day be remade as 'the great artistic metropolis'".
The Great Artistic Metropolis was also the title of the First
National Public Art Conference, in November 2005 organised by
the A&AJ and Landor Conferences and concerned with themes relating
to Art in the City and the recognition of the place of art and creativity
within cultural and environmental regeneration. A&AJ64 continues
to develop this theme through the link between creativity, culture
and change to affect the built environment, people, communities
and philosophies. It presents the issues raised by the conference.
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| Urbanism: Anna Minton review s PROJECT, the A&B / CABE funded scheme to promote
a professional role for artists working within regeneration schemes;
Isabel Vasseur argues for public art to have a commissioning role
within the contemporary public gallery structure; Ian Banks describes
how £8million might be spent on art over the next 10 years in A
Cultural Revolution in Sunderland. Patricia Brown and B+B use
London as the model to illustrate diverging roles for art to participate
in urban change. |
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| Art: Jochen Gerz revisits the concept of public authorship and the contemporary
monument with reference to Ballymun, Dublin; Simon Patterson and
Arup Associates' collaboration resulted in Time and Tide,
a major work in the City of London; Jemima Montagu profiles Elmgreen
& Dragset whose work considers the human condition in public and
private environments; Terri Whitehead reports on Vertiges,
a contemporary art event around the city of Toulouse; Michael Pinsky
describes his multi-media, multi-disciplinary approach to public
art projects; Plus Comment by Peter Hames advocating the
idea of risk in establishing The £50 Danger Fund as a cultural
activity initiative generator. |
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| Architecture: Richard Rogers reviews and re-introduces the ideas of the Urban
Task Force Report in The Urban Renaissance six years on;
Angus Brown proposes the idea of establishing creative/design time
within the development time-scale; In Letter from Paris,
Georgina Turner describes aspirations to create a city of culture
in the French capital. |
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A&AJ
Professional Partner |
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| Fraser
Brown MacKenna Architects |
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